Improvisation for Classical Musicians Eric Edberg’s commentary and resources for classicial musicians who improvise, or want to.

Everyone has learned to play a one-octave dominant seenth arpeggio through the circle of fifths. well, some more than others, but each of my students is on his or her way to getting this down. In Tuesday’s cello class, I taught them a one-octave blues scale, and to play a pizzicato “Bo Diddily” [...]

In our cello studio class at DePauw yesterday, we started out working on shifting. In particular, using the ear to control the left hand by playing scales and arpeggios with just one finger. The game, so to speak, is to slide/siren/glissando between the notes, stopping the movement of the hand when the desired [...]